"Here we are demonstrably doing the best work in the industry," says Digital Supervisor Michael Conelly, "and slamming into a wall. So the night of the Oscars... what a mess."
"It was like a perfect storm of crap happening," says Rhythm & Hues president Lee Berger, whose company was far from the only one feeling the squeeze of massive overwork and enormous under appreciation.
But, says CG supervisor Walt Jones, their experience "gelled the entire VFX community into being horrifically pissed off at how they were being treated".
Life After Pi is actually a short film chapter of the forthcoming anthology Hollywood Ending. The bigger picture, we're told, "delves into the larger, complex challenges facing the US Film Industry and the many professionals working within it whose fates and livelihood are intertwined".
The Rhythm & Hues section, directed and edited by Rhythm & Hues Art Director Scott Leberecht, will be released in full online on 25 February, less than a week before this year's Oscar ceremony on 2 March.